Abstract:

Consists of four stories of the supernatural. In The black hair, a poor young samurai leaves his first wife to marry a rich woman. When he is unhappy in his second marriage, he returns to his first wife, who at first appears unchanged from when he last saw her. In The woman of the snow, a woodcutter is spared by a mysterious ghost-like woman in the snow, but must promise never to tell anyone what he has seen. In Hoichi, the earless, a blind musician-monk named Hoichi is commanded by a gathering of ghosts to sing the saga of their ancient deeds. The head monk paints Hoichi's body with prayer verses to protect him, but unfortunately overlooks Hoichi's ears. In In a cup of tea, a writer wonders what would happen to a person who drinks another's soul and finds out. || Winner of the Special Jury Prize at the 1965 Cannes Film Festival. || "Shot almost entirely in enormous studio sets, with a completely post-synched and carefully controlled soundtrack, Kwaidan is about as far from moviemaking “realism” as it’s possible to go. Yet in going to such dramatically ambitious lengths as adapting aspects of Kabuki and Bunaraku puppet theatre to filmmaking techniques, Kobayashi achieves a subtle synthesis of realism and stylization. He makes palpable a vision in which beauty and horror not only coexist but complement one another."-- David Ehrenstein, for the Criterion Collection edition